#8 in a series on the role of psychology in photography.

KALEED SAAOUDY – Kaleed runs the ‘4+1’ cafe on the corner of Golborne Road and Portobello. He is Moroccan by birth but has lived (and raised children in Norway) – a true cosmopolitan.



Kaleed is one of the most generous and personable people I have met for a long time. He is someone I consider to be a ‘citizen of the world’. Someone for whom race, religion and country have little meaning.

There is a sadness in this image too. Its source is unknown to me. The portrait reminds me of a kindly eagle. Kaleed is wary of the camera but his wariness exposes other facets of his character.

These facets maybe made manifest by invoking subconscious reactions. Having a camera pointed at you from close range makes many people feel uncomfortable. Why is this? And what does this say about the subconscious? 

 To be continued

The process of making a portrait seems to be very fluid and perhaps never finished.


As the series continues I will expand on this psychological theory of portraiture and how we, the viewers, engage with it.

Please click on ‘best seen in full’ (bottom left) to view correctly.

Let me know what you think...

This site uses Akismet to reduce spam. Learn how your comment data is processed.